Meeting Chris Weitz at the Billboard Film and TV Music Conference

Oh myello there Chris and Alexandre! Even this lady couldn't contain herself!

Dear LTT-ers/nmm.org-ers (that’s your new name!) and Chris Weitz fans (which should be everyone),

Today was a mindgasm, red letter day in the life of me, your faithful blogger: Moon. As both a Twilight fan, music fan and aspiring music supervisor, I was able to attend the Billboard Film and TV Music conference in Beverly Hills to cover to events for both us and our awesome super special friend and affiliate Will at NewMoonMovie.org who secured our entrance into the event. The conference featured two Twilight New Moon themed panels. One discussing the soundtrack success featuring New Moon soundtrack music supervisor Alex Patsavas, a VP from Atlantic Records and Paul Katz, music consultant and uppity up at Summit Entertainment.

The other New Moon themed panel was “A Conversation with a Director and Composer” featuring Chris Weitz and Alexandre Desplat who discussed New Moon and its score and music for a hour. Now, this was some hardcore discussion regarding the composition of the score, influences how they began the process, etc. It was NOT a panel where they discussed Robsten or anything about the actors other than what pertained to the topic of the New Moon score.

I’ll be writing a more in depth post in the next few days reviewing both panels in more depth but for today I’ll give you a quick overview of some juicy tidbits from Chris’s panel and what WE (yes WE I met the man himself talked about after the panel) chatted about. Hang on kiddies, we’ll get there but first some of what Chris and Alexandre discussed:

• There were themes (musical) created for for each character. IE one for Bella, one for Bella and Edward, one for Jacob

• To reflect the confusion in Bella’s mind after Edward leaves, at times the “Edward” and “Jacob” themes are “blurred” together to help created “subliminal confusion” in her mind

• Jacob’s “theme” features electric guitar. Alexandre used a guitar that sounded very similar to an Indian sitar and Chris jokingly reminded him that Jacob is Native (Indian) American not Indian from India

• The score will not featuring any of Carter Burwell’s score. (I’ll expound more on this decision in a later post)

• And the most important info: Chris wore a lot of olive and tan. He was in full on DILF mode with cargo pants, striped socks (i love a good sock!), some sort of olive sweater and a leather man purse. Work it Chris, WORK IT!

Ok, so here’s the part you all want to read MY CHRIS WEITZ ENCOUNTER (that didn’t take place in my dreams):
FOLLOW THE CUT (moohahahaa)